THE NINTH CIRCLE

$44,000.00

Carrara marble

18"h x 19"w x 12"d, 2005

Artist Statement

“...two Florentine politicians who were enemies of Dante..."

This sculpture is based on the Inferno, the first book in Dante’s famous trilogy. The scene takes place in the Ninth Circle (or the “Pit”), which is at the very center of Dante’s Hell and is reserved for only the most egregious sinners: those who have committed sins of betrayal.

In the Inferno, Dante assigned punishments to the offenders that embodied their various crimes. Based on this idea, I created a story of two Florentine politicians who were enemies of Dante. They betrayed their city through lies and deception while outwardly pretending to be its guardians. In other words, they are “two-faced.” Therefore, their punishment is for their two faces to be attached in as painful a way as possible for all of eternity.

— Doug Thielscher

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Carrara marble

18"h x 19"w x 12"d, 2005

Artist Statement

“...two Florentine politicians who were enemies of Dante..."

This sculpture is based on the Inferno, the first book in Dante’s famous trilogy. The scene takes place in the Ninth Circle (or the “Pit”), which is at the very center of Dante’s Hell and is reserved for only the most egregious sinners: those who have committed sins of betrayal.

In the Inferno, Dante assigned punishments to the offenders that embodied their various crimes. Based on this idea, I created a story of two Florentine politicians who were enemies of Dante. They betrayed their city through lies and deception while outwardly pretending to be its guardians. In other words, they are “two-faced.” Therefore, their punishment is for their two faces to be attached in as painful a way as possible for all of eternity.

— Doug Thielscher

Carrara marble

18"h x 19"w x 12"d, 2005

Artist Statement

“...two Florentine politicians who were enemies of Dante..."

This sculpture is based on the Inferno, the first book in Dante’s famous trilogy. The scene takes place in the Ninth Circle (or the “Pit”), which is at the very center of Dante’s Hell and is reserved for only the most egregious sinners: those who have committed sins of betrayal.

In the Inferno, Dante assigned punishments to the offenders that embodied their various crimes. Based on this idea, I created a story of two Florentine politicians who were enemies of Dante. They betrayed their city through lies and deception while outwardly pretending to be its guardians. In other words, they are “two-faced.” Therefore, their punishment is for their two faces to be attached in as painful a way as possible for all of eternity.

— Doug Thielscher


 

In the mesmerizing sculpture "The Ninth Circle," Douglas Thielscher delves into the intricate tapestry of Dante Alighieri's "Inferno," the first book in the celebrated Divine Comedy trilogy. This literary masterpiece from the 14th century explores themes of Christian theology: salvation, redemption, morality, and the human condition. 

In "Inferno," Dante embarks on a harrowing journey through the nine circles of Hell, each reserved for different types of sinners, ultimately leading to the center of Hell, the Ninth Circle. Within this circle, Dante encounters various sinners, all subjected to varying forms of torment that reflect the nature of their treacherous deeds.

As viewers engage with Thielscher's sculpture, they are invited to traverse the hallowed pages of Dante's literary masterpiece and contemplate its enduring relevance throughout the ages. At the center of this sculpture lies a narrative woven from Dante's vivid imagination. Thielscher's storytelling prowess comes to life as he unveils the tale of two Florentine politicians, historical figures who earned Dante's scorn as they betrayed their city through duplicity and deception, all while masquerading as its protectors. They find themselves in Antenora, the round reserved for traitors to their homeland or political entities, where sinners are frozen up to their faces in the icy lake. In Dante's realm, where punishments mirror the nature of the sins, these "two-faced" politicians find themselves forever bound in a painful union, their destinies entwined in eternal agony.

As we journey through the hallowed verses of Dante's "Inferno," we bear witness to the enduring power of literature to shape our understanding of morality and justice. The Divine Comedy has transcended time and space to become a timeless beacon of human conscience.

In "The Ninth Circle," Thielscher's artistic prowess seamlessly intertwines with Dante's enduring narrative, beckoning viewers to explore the complexities of betrayal and the consequences of duplicity. In our contemporary world, where questions of ethics and integrity continue to reverberate, "The Ninth Circle" serves as a poignant reminder of the timeless relevance of Dante's literary legacy and the enduring human capacity to grapple with the intricacies of morality and deceit.